AICHINGER REGINA COELI PDF

full score, separate edition with choral collection. /70 2 pages, DIN A4, without cover. EUR1,40 / copies. available. copies. Available from 20 copies. Page 1. REGINA COELI. Gregor Aichinger (s. XVI). FINE. Regina Coeli – Aichinger 1 de 1. Page 2. Check out Gregor Aichinger: Regina Coeli by Capella Carolina on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on

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Regina coeli a 3 (Gregor Aichinger) – ChoralWiki

III Carl Proskespecified source is: Letter, 4 pages, Aicchinger Late Night Partying. Antiphons regija Religious works ; Sacred hymns ; Hymns ; For 4 voices aichinher For unaccompanied voices ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the alto voice ; Scores featuring the tenor voice ; Scores featuring the bass voice ; For mixed chorus ; Scores featuring mixed chorus ; For unaccompanied chorus ; Latin language.

Share on facebook twitter tumblr. According to Catholic tradition, St Gregory the Great heard angels chanting the first three lines one Easter morning in Rome, while following barefoot in a great religious procession of the icon of the Virgin painted by Luke the Evangelist. Contents 1 Performances 1. I Sing of a Maiden: Possible error s identified.

Regina Coeli – Wikipedia

For the Marian title, see Queen of Heaven. Aichinger took his faith seriously enough and studiously aichimger to regnia, in addition to several books of Catholic church music, a complete book of meditations on the Scriptures and the saints.

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Regina caeli Aichinger, Gregor Genre Categories Antiphons ; Religious works ; Sacred hymns ; Hymns ; For 4 voices ; For unaccompanied voices ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the alto voice ; Scores featuring the tenor voice ; Scores featuring the bass voice ; For mixed chorus ; Scores featuring mixed chorus ; For unaccompanied chorus ; Latin language.

Rainy Day Relaxation Road Trip. Retrieved from ” https: At other times, Aichinger ‘s music stands with the best of the high Renaissance style. As with many Christian prayers, it takes its name from its incipit or first word s. MusicXML source file is in compressed. See the discussion page for full description.

Any one of these four or of other suitable antiphons may now be sung at any time of the liturgical year. They may not be public domain elsewhere. Brian Marble submitted Durufle, Marenzio, Tchaikovsky and others. For prayers listed in italicsindulgences are normally granted.

Regina Coeli

Settings continue to be written in the twenty-first century. The counterpoint throughout is pure and elegant to the ear.

AllMusic relies heavily on JavaScript. A Mosaic of Motets to the Virgin Mary. A literal translation note: Augustae Vindelicorum excudebat Joa. Yet he had the best teachers Orlande de Lassus probably, and Giovanni Gabrieli in certaintythe best patrons the Augsburg banking family of the Aichngerand a deep and abiding Catholic faith. Drinking Hanging Out In Love.

Printed in Musica Divina Vol. His music in one vein follows the freshest Italian trends in German-speaking lands; he may have been the first to write in Germany in the style of Viadana.

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Gregor Aichinger has often been overlooked when the story of the high Renaissance in music is told.

Sounds of the Spirit. Editor Pierre Gouin – Contact. Romantic Evening Sex All Themes. The Latin word coelummeaning “heaven” hence the English word celestialwas a common medieval and early modern spelling of caelumwhich was the only form in Classical Latin.

Work Title Regina caeli, laetare Alt ernative. It is one of the four seasonal Marian antiphons of the Blessed Virgin Maryprescribed to be sung or recited in the Liturgy of the Hours at the conclusion of the last of the hours to be prayed in common that day, typically night aichingrr Compline or Vespers.

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Regina caeli (Aichinger, Gregor)

Original text and translations Original text and translations may be found at Regina caeli. Sexy Trippy All Moods.

Each has more words of text, slows the harmonic rhythm, and more use of imitative polyphony; the first even thins the vocal texture to three voices. Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’.